Still off through This Week end, but I cannot help myself from writing about "Lost," Episode so a quick review of tonight's episode (along with some thoughts on where we are in this final season) coming up just as soon as I'm well enough for a fajita field trip...
"Whoa. Dude." -Hurley
Well, we're clearly cooking with gas at this point in the season. Desmond's return has goosed the narrative stakes in both the sideways universe and the real one, two of the three island factions have finally come together(*), stuff blew up left and right(**), Des and Locke are trying to kill each other in the two timelines, and the sideways world again was used well to bring back a character whose time on the show felt like it came to too abrupt an end in the real timeline.
(*) Albeit in an episode that saw the creation of another faction in the Richard/Ben/Miles group, since groups on "Lost" are forever picking sides and walking off, going all the way back to when Jack took half the Oceanic survivors into the caves back in season one.
(**) Albeit with explosions that continued this season's trend of unimpressive CGI work. Whatever cuts ABC's made in the show's budget the last couple of years, the digital FX department has definitely been a big victim.
My fear, though, is that it's taken us too long to get to this point.
In the early years of the show, a "Lost" episode and a "Lost" season tended to be constructed the same way: an exciting beginning, then a lot of narrative throat-cleaning, and then an exciting finish. Once Cuse and Lindelof got permission to set an end date and knew what they were moving towards, seasons 4 and 5 became much denser, both from week to week and over the course of each season. Season 6, on the other hand, has felt like a throwback, not just with the return of old characters like Charlie and Boone and, now, Libby, but with the way that we're heading into the home stretch with material that it feels the show would have been better-served to deal with sooner.
Though some of the early sideways stories were entertaining through the sheer force of personality of the actors/characters being spotlighted (Locke, Ben), there was nothing all that interesting about the sideways world itself until last week. By making Desmond aware of the wrongness of the world - and introducing other characters like Charlie and Faraday who also recognized this - we finally tied that world to the one we care about, and created some urgency to our visits to LA. But I'd have rather see this happen a few weeks into the season and not now, not only because it would have given greater purpose to some of those meandering flash-sideways stories like Jack's son or Jin's amazing adventure in the freezer, but because it feels like now that we have a sideways story arc (Desmond tries to nudge the Oceanic passengers into realizing that this world isn't right), the resolution of it is going to feel rushed.
Full Story here: http://www.nj.com/entertainment/tv/index.ssf/2010/04/lost_everybody_loves_hugo_a_si.html
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